Introducing a new series of abstract paintings exploring colour-saturated terrains where fragments of landscape, light, and memory dissolve into shifting fields of paint. Layered gestures, translucent passages, and vivid contrasts create kaleidoscopic environments that hover between observation and imagination.
Above: The Garden Sanctuary (2026) Acrylic, pastel and varnish on panel / 100 × 100 cm (39 × 39 in) An imagined garden unfolding through flashes of green, blue, lilac, and gold. Forms emerge, collide, and dissolve again, creating a restless yet harmonious space where nature is sensed rather than depicted.
Hello. I’m Joost Hulsbosch. I paint — not only for joy, or love, but because something wordless wants out. I come from the Lowlands, where the land lies flat and the sky does all the talking. My work lives in acrylic, oil, graphite, and pastels — laid on paper, canvas, wood or metal. Some pieces resemble figures. Others drift toward complete abstraction. Most belong to that quiet, restless place in between.
This page is refreshed regularly with new work, usually once a month. For availability and further details, please get in touch: studio@joosthulsbosch.art
The Enchantment / De Betovering (2026) Acrylic, pastel and varnish on wood panel / 100 × 100 cm (39 × 39 in) — part of an abstract series in which layered forms search for beauty within chaos and change. mediterranean colours and architectural forms briefly emerge before dissolving back into the atmosphere.The Longing (2025) Acrylic, pastel and varnish on panel / 80 × 80 cm (32 × 32 in) — a more personal, dark and concentrated work in which figures are quietly bound within a shared tension /part of a new series of abstract paintings exploring layered forms that search for moments of beauty within chaos
The Forest’s Edge / De Bosrand (2026) Acrylic, pastel and varnish on panel / 100 × 100 cm (39 × 39 in) – through layers of vibrant green foliage, glimpses of another world begin to emerge.
Entities of the Void (the untold covid experience) (2021–22) Acrylic, pastel and pitt pen on linen canvas / 160 × 140 cm (63 × 55 in) — entities of the void (wezens van de leegte) unfolds as a shifting field of half-formed figures drifting between presence and erasure, their faces dissolving into fractured traces. the palette remains subdued, almost exhausted, as if drained rather than constructed. created during my covid infection, the work turns inward, toward a psychological terrain where angels and demons coexist without hierarchy, suspended in fragile equilibrium. what lingers is not the nightmare itself, but its residue: a quiet, unsettled space where meaning remains just out of reach.The Shadow Realm – Het Schaduwrijk (2025) Acrylic brush on linen canvas / 140x140cm (55x55in) / with age, a second inventory emerges / an inward archive of what was lived but never fully spoken / the shadow realm draws these fragments into a dense, shifting field where abstract figures and situations surface and dissolve, suspended between memory and omission / layered in semi-transparent blacks, greys, sienna and blues, the painting breathes through accumulation rather than declaration / forms overlap without hierarchy, tracing a parallel, shadow life alongside the visible one / at a distance, the field settles / what remained unarticulated finds a quiet structure; held, briefly, in equilibrium.Painted from Memory (2022) Acrylic, spray paint, day-glo orange and fineliner on Hahnemühle paper / 50 × 70 cm (20 × 28 in) / A portrait of a woman I once knew, painted from memory rather than likeness. I remember her as stylish, self-absorbed and always slightly out of reach, as if distance were part of the outfit. I assumed it was confidence. Later, I discovered it was probably the opposite. Memory is funny that way. It keeps rewriting the people you thought you knew, including yourself.Painted in Hindsight (2022) Acrylic, spray paint, day-glo yellow and fineliner on Hahnemühle paper / 50 × 70 cm (20 × 28 in) / Another portrait of a woman I once knew. Or at least, that’s how I remember her. Hindsight has a peculiar way of rearranging things, keeping what suits the story, discarding what doesn’t and occasionally inventing something altogether. What remains is somewhere between her and my memory of her, a little blurred, a little blotchy, and not entirely reliable. But perhaps she was too. Perhaps I was.Painted Afterwards (2022) Acrylic, spray paint, day-glo red and fineliner on Hahnemühle paper / 50 × 70 cm (20 × 28 in) / A portrait of a woman I know. We have fun, we play, we enjoy. Sometimes it all feels a little dreamlike. Painting afterwards is tricky, though. Memory comes in waves, and ecstasy is particularly unwilling to sit still. By the time the painting is finished, fact and fantasy have become rather difficult to tell apart. So I stop trying and lose myself in thousands of tiny dots, as I seem to do in all these paintings.The Interference (2026) Acrylic on linen canvas / 100 × 100 cm (39 × 39 in) — A surface in motion, where bright pinks and sharp greens slide, collide, and fracture into unstable formations. The work centres on change: a force that interferes with how we function, how we move, how we hold on.Heatwave (2025) Acrylic on linen canvas / 100 × 100 cm (39 × 39 in) A turbulent land- or cloudscape of burning colour, shifting contours and restless heat.Collapse of the Known World (2025) Acrylic and pastel painting on multiplex wood / 100 × 100 cm (39 × 39 in) / The world, conceived as a contemporary Tower of Babel, fractures into unstable urban forms: order gives way to disarray as structures splinter and lose coherence. Within these ruptures, small figures descend, briefly suspended by the very frameworks that once sustained them suncloud / acrylic and pastel painting on Hahnemühle paper / 80x80cm (32×32 in)The Heat of the Plaza (2025) Acrylic painting on linen canvas / 60×80 cm (24×31 in) / Shapes gathering, still warm from the day’s sun. In terms of technique: the sharp contours are created through a masking technique, in which sections are taped off during the painting process to produce crisp, architectural edges.Swamp Fever (2026) Acrylic painting on linen canvas / 60×80cm (24×31 in) / A humid, hidden world where roots twist beneath the surface and life gathers in shadow.Two Griffins (2024) Acrylic painting on archival paper 70 × 100 cm (28 × 40 in) / Griffins are ancient mythological creatures, part lion and part eagle, combining the strength of the lion with the freedom and vision of the eagle. Traditionally, they are powerful guardians, protecting what is precious to them. Look closely and two griffins emerge. They are not confronting each other, but moving together as a team, each protecting the other. A dance of strength, loyalty and mutual defence.The Tribute / Indian ink and watercolours on archival paper / 45×70cm (18×28in)The Ball of Attrition / indian ink and watercolours on archival paper / 45×70cm (18×28in)Last Day / Gouache, acrylics and graphite on Hahnemühle paper / 50x70cmWind Chasers / Acrylic paint on paper / 70x100cm (28×40 in)
The Dutch Sky Collection
In the Dutch Lowlands, where the earth lies flat, the sky becomes the landscape — boundless, abstract, alive
dutch sky11 / acrylic painting on linen canvas / 140x140cm / 55x55in / a monumental sky in gold and blue, where abstraction meets nightfall, a fading red sun holds the balance, and fleeting wings trace their way homedutch sky 19 / acrylic painting on linen canvas / 160x160cm / 63×63in / a monumental sunset, reduced to hushed bands of orange – tension and movement hover within the abstraction, while delicate traces of flight move almost imperceptibly through the space.dutch sky 16 / acrylics on linen canvas / 160x160cm / 63x63in / a monumental blue sky reduced to essential form, where complex cloud movements and avian shapes are distilled into quiet minimalismdutch sky 09 / acrylic marker drawing on multiplex wood / 140x120cm / 55x47in / a highly detailed, hand-drawn abstraction, where fractured forms and electric lines collide into a storm-driven sky charged with velocity and physical forcedutch sky 15 / acrylic and oil pastel painting on linen canvas / 140x140cm / 55x55in / the sky swells into monumental organic forms, where endless landscapes are touched by a few fleeting wings, quietly revealing the vastness of their boundless worlddutch sky 06 / acrylic on canvas / 140x140cm / 55x55indutch sky 14 / acrylic painting on linen canvas / 140 x 140 cm (55 x 55 in)dutch sky 18 / acrylic and gold leaf on linen canvas / 140 x 140 cm (55 x 55 in)dutch sky 02 / acrylic and oil stick on linen canvas / 80 x 140 cm (31.5 x 55 in)dutch sky 44 / acrylic and oil stick on linen canvas / 140 x 140 cm (55 x 55 in) this work follows the movement of passing clouds, with each line tracing the changing form of a cloud across the horizon. Layers of wind, birds, and shifting light dissolve into a network of colour and gesture, creating a sky that gradually assumes the qualities of a mountainous landscape.dutch sky 24 / acrylic and oil pastel painting on multiplex wood / 80 × 80 cm (31.5 × 31.5 in) – a retro clouded sky, where planes of colour carry themselves as if they were architecture.dutch sky 30 / acrylic and oil stick pastels / 80 × 80 cm (31.5 × 31.5 in) – the sky in warm geometry, where curved forms let clouds move like a landscape, with weight, rhythm, and quiet structure
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whispers of earth / gouache, graphite and coloured pencil on archival paper / 50x70cmwhispers of water / gouache, graphite and coloured pencil on archival paper / 50x70cmhope / acrylic painting on archival paper / 80x80cm (31.5 × 31.5 in)nachtval in de karoo / night descends in the karoo / acrylic painting on canvas / 80x80cm the glitch portrait collection / glitch03 / this portrait series, comprising more than thirty works, shifts attention from likeness to duality, exploring the double-faced presence each figure seems to carry. born from a serendipitous silkscreen misprint, the process developed into a deliberate inquiry, balancing chance and intention. working in mixed media, the series extends this exploration through the layered use of silkscreen, acrylic, and crayon on archival paper. 50 × 70 cm / 20 × 28 in each.glitch portrait 4 / mixed-media, silkscreen, acrylic and crayon painting on archival paper / 50x70cmglitch17 / mixed-media, silkscreen, acrylic and crayon painting on archival paper / 50x70cmglitch8 / mixed-media, silkscreen, acrylic and crayon painting on archival paper / 50x70cmnicole‘s favourite pose / acrylic painting on canvas / 80x60cmthedoor knob / acrylic painting on archival paper / 84x120cmre-renaissanced1 – 60x80cm Acrylic and graphite painting on hahnemühle paperre-renaissanced 2 – 60x80cm Acrylic and graphite painting on hahnemühle paperre-renaissanced3 – 60x80cm Acrylic and graphite painting on hahnemühle paper embraceable, you / acrylic painting on canvas / 60x80cmsea fog / acrylic and graphite painting on hahnemühle paper / 50x70cm (20 × 28 in)bluesen / acrylic painting on paper / 50x70cm (20 × 28 in)winter is over / multimedia acrylic and marker on stainless steel, pressed beneath glass / 70x100cmcelestial garden / multimedia acrylics on stainless steel, pressed beneath glass / 84x120cmin a garden da vida / acrylic painting on hahnemühle paper / 80x80cm (31.5 × 31.5 in)mpho / portrait of mpho mogotsi / acrylics with indian pitt pen on hahnemühle paper / 84x120cmtriplets – 20x30cm – acrylic and graphites on hahnemühle papercacophony street / acrylic and oil painting on achival paper / 70x50cm (28×20 in)cacophony city / acrylic and oil painting on archival paper / 50x70cm (20×28 in)cacophony square / acrylic and oil painting on archival paper / 80x80cm (31.5 × 31.5 in)entangled / mixed-media drawing with gouache, pencil, and pitt pen on hahnemühle paper / hidden within the composition, a solitary figure sits quietly on a line while the surrounding forms give shape to thoughts unfolding in every direction / entangled transforms the invisible complexity of the mind into an abstract landscape of contemplation, memory, and possibility. fossils – acrylics and graphites on hahnemühle paper / 60x80cmsundaysolo / gouache, acrylics and graphites on hahnemühle paper / 30x40cmoasis (of garden plants) / gouache, acrylics and marker painting on paper / 70x100cmfloat, don’t force / acrylic and graphite painting on hahnemühle paper / 84x120cmmasquerade / gouache, acrylics, spray painting on hahnemühle paper / 50x70cmthe big o / gouache and colour pencil painting on paper / 50x60cmthe burden / mixed-media, acrylic and graphites on hahnemühle paper / 70x50cmadriane@the lakeside / mixed-media, acrylic and graphites on hahnemühle paper / 50x70cmeva@the lakeside / mixed-media, acrylic and graphites on hahnemühle paper / 50x70cmhottentottenland / mixed-media, acrylic, graphite and ecoline painting / 50x70cm
